Wednesday, April 30, 2008

7 Questions with Matthew Fox

Fred Topel: Now that the strike is over and you can shoot a few more episodes of Lost, what is the feeling on the set?

Matthew Fox: Panic. [Laughs] No, it’s been chaotic, as it always is this time of year for us. I mean, we’re doing many shows. I think we’re shooting three episodes simultaneously, so it’s anywhere between two and three units working at the same time. Going back and forth between them and shooting things very out of sequence, which you always do, but like when you’re covering three episodes, it’s a lot. But it’s great. It’s really great.
Fred Topel: With only a few episodes left, is there still time to really forward the story?

Matthew Fox: Oh, yeah. You won’t believe what happens in the next five episodes. The show is building to its climax of the year and a lot of things are happening and it’s big and it’s going to be good. I think it’s been a good year for us. The strike, obviously, was difficult, just because we were really on a roll through [episode] eight, then we took this break. But I think everybody was really excited to get back to it.

Fred Topel: Is doing the flash forward stuff very different for you?

Matthew Fox: Well, Jack’s a frickin’ mess in the future so that has not been pleasant to revisit that. It’s never fun to put yourself into a place where you’re suicidal and really, really messed up and desperate. So he’s really gotten to the rock bottom, but I understand why we’re taking him there. There will be a turn in there where he begins to sort of build towards a redemption. Taking him to the very pit of despair is going to make that more rewarding, I think.

Fred Topel: Well, he seemed all right when he visited Kate in court.

Matthew Fox: Well, yeah. There was a period when he gets back where he’s built a construct of denial that he still can maintain. But things start to intrude on that bubble of denial and he can no longer maintain the lie that he’s telling himself and things start to fall apart.

Fred Topel: Do you like playing flawed heroes better than total good guys?

Matthew Fox: Yeah, I do. I don’t really buy into the notion of pure heroes. I think that’s kind of an antiquated idea. For me, it’s more exciting to play somebody who’s actually very human, like we all are, and flawed in many ways, but in very, very difficult circumstances does heroic things and finds some redemption in that. That’s, I think, really interesting and challenging and more relatable, for me anyway.

Fred Topel: You’re in the movie version of Speed Racer this summer. Were you a fan of the cartoon?

Matthew Fox: I wasn’t. I didn’t grow up in a household where television was allowed. My first attraction to the project was the Wachowskis, them as filmmakers and knowing that they were going to be doing something really innovative and different. When I met with Larry and Andy the first time, after that meeting I started punching up the imagery, and when I saw it, I immediately recognized it. It was in my consciousness, but I don’t think I’d ever seen an episode in full. So I went and got a bunch and watched a bunch of the original source material, which was really fun. My kids are now watching it and are really fired up. It’s really cool. I mean, there are so many very cool things about it and I can completely understand why, in the 1960s, that style of anime was so intriguing and grabbed so many people, like Larry and Andy. They were huge fans of it.

Fred Topel: No TV? What’s the deal with that?

Matthew Fox: My father was part of a religious cult. [Laughs] No, he wasn’t so much anti-television, he was just pro-books. Both my mom and dad were and that’s important to me and my wife and I. I mean, we allow our kids some television. We certainly allow them cool movies and some television, but it’s limited. I think it’s really important that they develop their own imaginations and find and use those imaginations. A great thing about being in Hawaii is they spend a lot of time outside. I just watched my daughter catch like five or six waves within a half an hour the other day, and ride them. She’s 11 and really just suddenly discovered surfing. She’s amazing. It’s like she’s been doing it her [whole life]. It’s really amazing to see. That’s a fatherly tangent right there.

Source: Matthew-fox.net

Sunday, April 27, 2008

LOST Party

Scaling down somewhat from the huge shoot at Kalaeloa on Wednesday, the “LOST” crew headed out to upscale East Honolulu today to film at a mansion in Kahala. Specifically, they returned to Hurley’s mansion as last seen in “Tricia Tanaka is Dead,” a $5.5 million property that’s actually on the market.

There wasn’t much to see from the street, but when a group of extras made a run for craft services they were impossible to miss. Party hats, loud shirts, a couple of cheesy plastic lei… it certainly looked as if Hurley has something to celebrate.

A young woman in a party dress was especially starstruck, in love with Jorge Garcia, charmed by the babies Aaron, and impressed by Naveen Andrews (Sayid)… who was there with Andrea Gabriel (Nadia).

What was the occasion? Who else was there to celebrate? I guess we’ll just have to wait for the season finale to find out.
Source: Hawaii Blog

Thursday, April 24, 2008

What is the Hurley Bird

A large bird nicknamed the "Hurley Bird" has made two appearances in Lost. According to the producers' May 4th, 2007 podcast, it has a 16 foot wingspan and cannot be found living in Los Angeles.
While in the Dark Territory, Hurley saw a huge bird, convincing him that whoever came up with the name Dark Territory was "a genius." ("Exodus, Part 2")
Later, traversing through the jungle, Michael, Jack, Kate, Sawyer and Hurley had a seemingly giant green bird swoop down over their heads that screeches what sounds like, "Hurley." Hurley asked if the bird screeched his name and Sawyer replies, "Yeah, it did. Right before it crapped gold." Michael attempted to shoot at the bird, revealing that the gun Jack had given him was unloaded. ("Live Together, Die Alone")
According to the DVD subtitles, the bird screeches say "Hurley" in both appearances.

Source: Lostpedia

Lost - Episode 4.09 - Promo Pictures

Lost Parody :)

Possible 14th hour of Season 4

According to Ask Ausiello, Team Dalton is in negotiations with ABC to produce an additional hour of Lost this season. This is not close to a done deal, but the possibility is very exciting!! There are plenty of scheduling conflicts that could sideline this proposal before it gets off the ground. The schedule is set for Lost to start on April 24th and end with a night of finales of Ugly Betty and Grey's Anatomy. So would this postpone the season finale one week or do the put it on a different night. Could we get two hours in one week!! This could get us closer to the original idea they had for this season and give us a more complete season 4. We will update you here at SWLS as this story develops.Also Kristin is reporting that the additional hour is looking "highly likely". Very good news indeed!
Source: BlackRock

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